Murphy, Emily Christina and Karis Shearer. “Badging.” A Glossary of Lab Techniques: Extending\u00a0The Lab Book<\/em>: Situated Practices in Media Studies<\/em>. Darren Wershler, Lori Emerson, and Jussi Parikka. U Minnesota Press, Manifold Platform. Online. March 7, 2023<\/p>\n SpokenWeb (UBC Okanagan) Books<\/em><\/p>\n Wanting Everything: The Collected Works of Gladys Hindmarch<\/em>. Eds. Deanna Fong and Karis Shearer.\u00a0 Vancouver: Talonbooks, 2020. Print.<\/p>\n Tayler, Felicity and Marjorie Mitchell, et al. Making Digital Humanities Research Public: A Data Primer<\/a>. 2022. <\/em><\/p>\n Articles \/ Chapters Shearer, Karis and Erin Moure. \u201cIt was an extension of the moment\u201d: Five Poets in Conversation on Analog Audio Recording and Creative Practice.\u201d In Resistant Practices in Communities of Sound.<\/em> Eds. Deanna Fong and Cole Mash. Montreal: McGill Queen\u2019s University Press, 2024. 286-323.<\/p>\n Fong, Deanna and Al Filreis, Erin Moure, and Karis Shearer. \u201cIn Conversation: A Corner is Never a Firm Divide.\u201d The Capilano Review <\/em>3, no. 39 (Fall 2019): 93-98. Print.<\/p>\n “Westcoast with Gladys: A Conversation between Gladys Hindmarch and Warren Tallman, 1969.” in Wanting Everything: The Collected Works of Gladys Hindmarch<\/em>. Eds Deanna and Karis Shearer.\u00a0 Vancouver: Talonbooks, 2020. 283-96.<\/p>\n Shearer, Karis. “‘It’s All a Curious Dream’: Nostalgia, Old Media, and the Vancouver Poetry Conference, 1963.” in CanLit Across Media: Unarchiving the Literary Event<\/em>. Montreal: MQUP, 2019. 165-82. Print.<\/p>\n Presentations<\/em><\/p>\n Shearer, Karis. \u201cPress Play: Making SpokenWeb Research Data Public.\u201d Making Research Data Public: Workshopping Data Curation for Digital Humanities Projects.\u201d Digital Humanities Summer Institute, Technologies East. University of Ottawa (Zoom). 21 and 28 May, 2021.<\/p>\n Shearer, Karis. \u201cFeminist Close Listening in the Audio Archive.\u201d Graduate Centre, Queen Mary University of London, UK. 12 February, 2020.<\/p>\n Shearer, Karis and Deanna Fong. \u201c\u2019But you can\u2019t put that in a book\u2019: Feminist Close Listening in the SoundBox Collection.” TEXT\/SOUND\/PERFORMANCE: Making in Canadian Space. University College Dublin. Dublin, Ireland. 25-27 April, 2019.<\/p>\n Shearer, Karis and Megan Butchart, Amy Thiessen.\u201cPedagogies in the Digital Archive.” Sound Pedagogies Panel (co-organizer with Jason Wiens) at TEXT\/SOUND\/PERFORMANCE: Making in Canadian Space. University College Dublin. Dublin, Ireland. 25-27 April, 2019.<\/p>\n Shearer, Karis. \u201cThe Literary Audio Archive: Teaching Poetry Off the Page.\u201d Kanada Konkrete: Material Poetries in the Digital Age. University of Ottawa. May 4-6, 2018.<\/p>\n In essays<\/em><\/p>\n Hobbs, Catherine. “Voices Kept in Context: Underpinning and Not Unpinning Records in Literary Archives.” in CanLit Across Media: Unarchiving the Literary<\/em> Event. Montreal: MQUP, 2019.<\/p>\n “Media archaeology labs are becoming more prevalent in university contexts with Lori Emerson’s founding in 2009 of the Media Archaeology Lab (Boulder, Colorado) and UBC Okanagan’s AMP Lab, among other examples….” (133-34n15).<\/p><\/blockquote>\n Interviews<\/em><\/p>\n \u201cCreative-Critical Exchanges: A Conversation with Deanna Fong and Karis Shearer about their recent edition of writing by Gladys Hindmarch<\/a>.\u201d Interview by Eric Schmaltz. The Angle: ACCUTE Newsletter.<\/em> Winter (2021): 15-19<\/p>\n \u201cTeaching the Poetic Event<\/a>,\u201d on Harriet Blog, The Poetry Foundation. 2011.<\/em><\/p>\n Media<\/em><\/p>\n \u201cUBCO students, professors podcast about half-century-old artistic recordings<\/a>.\u201d\u00a0KelownaNow<\/em> 18 May, 2020.<\/p>\n \u201cUBC, Exeter collaborate in the study of Digital Humanities<\/a>.\u201d 20 March, 2019.<\/p>\n \u201cProtecting access to archival audio<\/a>.\u201d 21 November, 2017.<\/p>\n \u201cSummer literary institute gives insider perspective on writing, editing<\/a>.\u201d\u00a0 UBC Okanagan News, 17 July, 2014.<\/p>\n
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