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Press Play: Call for Submissions

January 26, 2023January 26, 2023 amplabuncategorized

Call for Submissions // Press Play How do you do art and research in public? The Press Play! Project seeks 4 undergraduate students (2 teams of 2 students) to participate in a paid, mentored project that translates visual or sound-based […]

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Call for Applications: Graduate Research Assistantship for 2023-24

November 29, 2022December 6, 2022 Erin Scottuncategorized

This is a posting for a Principal Research Chair Fellow in Trans-Pacific Digital Platform Studies (2023-24) at UBC Okanagan. Dr. Kyong Yoon is looking to recruit a new MA or PhD student in Digital Arts & Humanities who will contribute to trans-Pacific digital platform […]

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SpokenWeb Postdoctoral Position (UBC Okanagan): Critical Remediations

November 21, 2022January 3, 2023 amplabuncategorized

Critical Remediations: SpokenWeb Postdoctoral Fellowship (UBC Okanagan campus) **DEADLINE EXTENDED** We invite applicants for a 2-year postdoctoral fellowship in critical approaches to literary audio, creative and critical remediations, performance, media archaeology, book history and print culture, digital humanities, and/or the […]

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Job Posting: Feminist Oral History Training Module

November 15, 2022November 20, 2022 amplabuncategorized

Two Undergraduate Research Assistant Positions (Work Study) The AMP Lab and the (Re)Media Infrastructure seek to recruit a student to assist in the development of the Introduction to Feminist Oral History Badge. This project is a collaboration among research projects […]

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Vibrate in Sympathy

August 29, 2022August 30, 2022 amplabuncategorized

Vibrate in Sympathy A personal essay following SpokenWeb Symposium 2022: The Sound of Literature in Time by Xiao Xuan Huang (SpokenWeb RA)     * The SpokenWeb Symposium of 2022 begins with a plenary talk given by T.L. Cowan.   […]

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Ordering Audio: Accessioning and describing the Fred Wah fonds

July 13, 2022July 13, 2022 amplabuncategorized
An image of a reel to reel cover

Ordering Audio: Accessioning and describing the Fred Wah fonds by Sarah Cipes (SpokenWeb RA)   Archival accessioning is best described as an intuitive process with vigorous rules. The rules are many, but they work towards two specific goals for archivists: […]

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I Sympose So: An SSI Reflection

June 16, 2022June 16, 2022 amplabuncategorized

Sound scholars and members of the SpokenWeb team from across Canada (and the globe) got together at Concordia University in Montreal this May for the two-day Symposium followed immediately by a three-day SpokenWeb Sound Institute. I was fortunate to attend […]

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Rights Management Cooking Class: An SSI Reflection

June 3, 2022June 3, 2022 amplabuncategorized

Rights Management Cooking Class By Paige Hohmann The last SpokenWeb Sound Institute I attended was in 2019, when I was a brand-new collaborator. At that time I summed it as “energizing, timely, and inspiring.” That hasn’t changed. What is different […]

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Job Posting: Oral Histories of Flamenco Dance in Canada Undergraduate Research Assistant

April 27, 2022April 27, 2022 amplabuncategorized

Oral Histories of Flamenco Dance in Canada Undergraduate Research Assistant Job Description The Nuevo/Antiguo research project (Co-PIs Emily Murphy and Katherine McLeod) recruits a student to assist in gathering oral histories on flamenco dance in Canada. The successful candidate will […]

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Job Posting: SpokenWeb Undergraduate Research Assistant

April 26, 2022April 27, 2022 amplabuncategorized

SpokenWeb Undergraduate Research Assistant Position Position Title: SpokenWeb Research Assistant Academic Level: Undergraduate Location: AMP Lab (Fipke 251) or remote Contract term: Summer semester (June 1 to August 31 2022, or until project is complete) Wages: 12 to 20 hours […]

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  • Press Play: Call for Submissions
  • The Importance of Oral Histories and Audio Recordings in the Okanagan (Part 3)
  • Recap of our Tech Talk 3: “The Making-Of the Inclusive Language Twitter Corpus”
  • Call for Applications: Graduate Research Assistantship for 2023-24
  • Recap of our Tech Talk 2: “Feminist Consent: Edits and Audio” by Sarah Cipes
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